Obscure Song #13. Miami 2017
To make it even more obscure, Marx's version was a bonus release off of Paid Vacation 1994 only on the Japanese and European versions. Hearing him talk about getting his copy of Glass Houses on vinyl, remembering how it smelled, back when you waited in line to buy a favorite artist's album and you took it home and holed up in your room and poured over the liner notes and shut the rest of the world out, reminded me how much things have changed in just our lifetimes. It's not the fall of NYC, but it's pretty amazing.
(Sidenote: Marx sang back up on Joel's Storm Front, both the title cut and "That's Not Her Style" and I will admit to trying to pick him out.)
If I ever get a chance to ask, I really want to know what appealed to him about this particular Joel song. If it were me, the first appeal is that impossibly catchy piano riff that opens and closes the song. The second, which I can't quite put my finger on, is, for lack of a better word, the tone, or the key, or ... something that makes this song stick in your head for hours. But as a story song about the collapse of NYC, told from a senior citizen's perspective who has retired to Miami, it's still a puzzling choice, especially for exclusive overseas bonus material.
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